I think it would be interesting to analyze whether the elements of film noir described by Schrader, as well as Place & Peterson, have been recurring ever since 9/11/ or the war in Iraq. Although most movies nowadays are made in color, the use of light and constricting formal elements of a scene as used in film noir can still contribute extensively to set a ce
rtain "tone and mood" in the film. And I think, many movies nowadays have a very apocalyptic mood that could have it's roots in film noir. Some examples that I can think of are "The Book of Eli" and "Sin City".
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